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28/08 17/11/2024

YermilovCentreKharkiv/UA

Sense Of Safety

“Sense of Safety” is an international art project highlighting the core exhibition of the same name in the YermilovCentre in Kharkiv, Ukraine surrounded by an open network of more than 20 cross-institutional events across 12 countries united as a “Bridges of Solidarity”. The project emerges from the urgent need to respond to the dire situation in Kharkiv, in North-East Ukraine, around 50 kilometers from the Russian border and subjected to daily shelling.

The idea of the project is to emphasize Kharkiv as an important part of the global world, its cultural, scientific and political importance, to draw the whole world into Kharkiv and Kharkiv into the world by promoting the exchange of connections, information, togetherness and interdependency.

The heart of the project was driven by the fact that in the beginning of the full-scale Russian invasion of Ukraine, the YermilovCentre occasionally turned out to be a real shelter for the artistic community. Nevertheless, it has never ceased its professional activity.

Structure of The International Art Project

Sense Of Safety

Sense of Safety exhibition

The exhibition in the YermilovCentre is featuring works from 31 individual artists and collectives representing over 10 countries, including a significant percentage of new commissions. The exhibition represents a wide range of artistic practices and media such as video, painting, photography, installation, sculpture, participatory practices and site-specific works among others. The exhibition is built around the ambivalence of the concept of safety, which has been profoundly redefined by the war. It also touches upon the idea that safety is understood not only as a feeling, but above all as an infrastructure of care, communication as a safe place, supported by vulnerable bodies, by the efforts of people, communities, and institutions. The ambivalence of safety is broken through the ideas of post-traumatic in-growth and the desire for routine actions as safe-gaining. The exhibition demonstrates different perspectives and modalities of understanding and perception of safety — from children's rituals to educational practices, from the search for self-stabilization and self-soothing to collective creative action.

The Bridges of Solidarity

One of the main conceptual axes of the project is the idea of interdependence and mutual connectedness, which is embodied in re-imagining of the exhibition as a medium through experimentation, expanded forms pulling Kharkiv outwards and other geographical locations into Kharkiv. Aiming to counter the isolation imposed by the war, it integrates online and offline events into a unified space — The Bridges of Solidarity, involving more than 20 both well established and grassroot partner institutions (ZKM, Karlsruhe, Germany, nGbK, Berlin, Arsenal Gallery in Białystok, Roma Community Center in Warsaw, Bouillon Group in Tbilisi, Cobra Museum, Amstelveen, the Netherlands etc.). Designed to act as bridges, the series of events facilitates two-way interaction and connection between the international community and Kharkiv. These events aim to foster solidarity and mutual support.

Online Platform

The entire project is connected through the online platform, which serves as the information hub and navigation tool. This platform allows visitors at any of our dispersed event locations to explore the entire project, watch live video streams from the YermilovCentre, and view broadcasts from partner institutions. Visitors in Kharkiv and around the world can access information about any event, artist or an artwork and personally participate in hybrid online/offline workshops, lectures, and discussions. The online platform aims to create a communication network, reducing distances and fostering ongoing connections.

Main Idea of the Project

The main topic of the project is built around the ambivalence of the concept of safety, which has been profoundly redefined by the war. It also touches upon the idea that safety is understood not only as a feeling, but above all as an infrastructure of care, communication as a safe place, supported by vulnerable bodies, by the efforts of people, communities, and institutions. The ambivalence of safety is broken through the ideas of post-traumatic in-growth and the desire for routine actions as safe-gaining. The aim of the project is to demonstrate different perspectives and modalities of understanding and perception of safety — from children's rituals to educational practices, from the search for self-stabilization and self-soothing to collective creative action. “The Sense of Safety” project also seeks to create lasting connections and support mechanisms between Kharkiv and the international community.

By fostering these gestures of solidarity, the project reintroduces Kharkiv as part of the world heritage. It is the city of arts, science and technology with Nobel Prize winners physicist Lev Landau, biologist Ilya Mechnikov and economist Semen Kuznets, avant garde artists Borys Kosarev and Vasyl Yermilov, Hasselblad Award Winner Boris Mikhailov, Oscar Winner Mstyslav Chernov among others. And still Kharkiv continues to be a grand city — from avant-garde thought to the cutting-edge physics essential for the Large Hadron Collider, it is a place where the fight for democratic values is happening in real-time.

Concept of the project

The International Coalition of Cultural Workers in Solidarity with Ukraine/ DE/NL/PL/UAYermilovCentre/ UAMaryna Konieva/ UA

The International Coalition of Cultural Workers in Solidarity with Ukraine

Anna Chistoserdova/ Valentina Kiselyova/ DETatiana Kochubinska/ UAAntonina Stebur/ BYMaxim Tyminko/ NL

YermilovCentre

Nataliia Ivanova/ UAYelyzaveta Koval/ UA

Visual concept

Maxim Tyminko/ NL

EXHIBITION

Artists

Olena Afanasieva & Max Afanasyev/ UAFrancis Alÿs/ MXAndreas Angelidakis/ GRBabi Badalov/ FRSergey Bratkov/ UADanilo Correale/ ITUli Golub/ UAThomas Hirschhorn/ CH/FRNadira Husain/ DE/FRTaras Kamennoy/ UAAlina Kleytman/ UA/ITVitalii Kokhan/ UADmytro Kolomoitsev/ UAYulia Kostereva & Yuriy Kruchak/ UAVladyslav Krasnoshchok/ UAKaren Lancel & Hermen Maat/ NLLauren Lee McCarthy/ Katya Lesiv/ UA/FIIryna Loskot/ UAKateryna Lysovenko/ UAPavlo Makov/ UABoris Mikhailov/ UA/DERhona Mühlebach/ CHAhmet Öğüt/ TRMark Požlep/ SI/BEKarina Synytsia/ UAStas Volyazlovsky/ UAKateryna Yermolayeva/ UAAnna Zvyagintseva/ UA*foundationClass/ DE_mediaklub/ UA

Curators

Tatiana Kochubinska/ UAMaryna Konieva/ UAAntonina Stebur/ BYMaxim Tyminko/ NL

Architecture

Ivan Svitlychnyi/ UAMaxim Tyminko/ NL

Executive architect

Viktor Dvornikov/

Texts and conceptual framing

Tatiana Kochubinska/ UAMaryna Konieva/ UAAntonina Stebur/ BY

Editing / Translation

lisa deikun/ Viktoriia Kantemyr/ Svitlana Skliar/

BRIDGES OF SOLIDARITY

Concept and Development

The International Coalition of Cultural Workers in Solidarity with Ukraine/ DE/NL/PL/UA

Management

Alona Karavai/ UA

Partners

ABA Air Berlin Alexanderplatz/ Asortymentna Kimnata/ Bouillon art group/ Colaboradio/Freie Radios/ Domie/ Galeria Arsenal Bialystok/ Heartfulness Kharkiv/ ICA-Sofia/ Lichtfest/ DERevolutionale Festival/ DEMuseum Cobra/ Musik der Jahrhunderte/ DEPlatform B/ DENational Gallery of Art, Lithuania/ nGbk/ DEOFF-Biennale Budapest/ PLACCC International Festival of Site-specific Art and Art in Public Space/ Post-Conflict Research Center (PCRC)/ Roma Community Center in Warsaw/ ROZENSTRAAT – a rose is a rose is a rose/ Schlosslichtspiele/ DETHE VOID/ NLTowards Dialogue Foundation | Fundacja w Stronę Dialogu/ ZKM/ DE

ONLINE PLATFORM

Maxim Tyminko/ NLAndrus Winzig/ Danil Siabro/

MANAGEMENT

General management

Ambasada Kultury

Anna Chistoserdova/ Valentina Kiselyova/ DE

YermilovCentre

Natalia Ivanova/ Yelyzaveta Koval/ UA

Logistics Management

Asortymentna kimnata

Alona Karavai/ UASofia Kozubash/ UAYulia Nepyk/ UA

Technical Team

Front Pictures

Yuri Kostenko/ UAVadym Kozakivskyi/ UA

Photinus

Evgeny Arlov/ UAOleh Kodrul/ UAPavlo Sirko/ UA

COMMUNICATION

PR

Tetyana Landesman/ UA

SMM

Liza Mas/ BYYuliia Baglyk/ UA

DESIGN

Maxim Tyminko/ NLAndrei Stseburaka/ BY

Photography

Oleksandr Osipov/ UAAndrei Stseburaka/ BY

PARTNERS

Supported by

V. N. Karazin Kharkiv National University/ UAThe Danish Cultural Institute/ LVErnst von Siemens Kunststiftung/ DENordic Council of Ministers Office in Lithuania/ LTGoethe-Institut Ukraine/ UANürnberger Haus/ UAEmbassy of the Kingdom of the Netherlands in Ukraine/ UAGrynyov Art Collection/ UAStedley Art Foundation/ UA

Technical Partner

FrontPictures/ UA

Exhibition Partner

Kharkiv Literature Museum/

We are thankful to

Individuals

Oksana Barshynova, Stella Beniaminova, Olena Bykovets, Sebastian Cichocki, Yevhen Demyanenko, Michiel Driebergen, Lore Gablier, Jakub Gawkowski, Taras Gembik, Oleksandr Golubov, Maryna Grachova, Martin Hoernes, Maria Isserlis, Tetiana Kaganovska, Oleksandr Kaplia, Oksana Karpovets, Maksym Khodak, Eugenia Kochubinska, Anatoly Kochubinskyi, Taisia Kryvko, Kostiantyn Lahunovskyi, Irina Leonenko, Kyrylo Lukash, Iuliia Lytvynets, Kotryna Markevičiutė, Daria Mille, Olexii Minko, Marina Naprushkina, Siarhei Navitski, Oleksandr Osipov, Dmytro Paziura, Lena Prents, Tetyana Pylypchuk, Mykhailo Protsenko, Sasha Razor, Yan Sakovich, Serhii Seleznov, Artem Shevchenko, Georgiy Shevchenko, Nicolay Spesivtsev, Anastasiia Spirenkova, Iaroslava Strikha, Kateryna Tsyhykalo, Asia Tsisar, Esselien Van Eerten, Tjitske Wildervanck, Volodymyr Yefimenko, Oleksandr Yukhno, Dzina Zhuk, Philipp Ziegler

Institutions

Air Design Studio - Erik van Dongen/ BELARUSIAN YOUTH HUB/ European Cultural Foundation/ National Art Museum of Ukraine/ Solidarny Dom Kultury 'Słonecznik'/