The video consists of three independent video works created by the author in collaboration with musicians Christoph Ogiermann (DE), Gareth Davis (UK).

In the first part of the video: video footage of the artist filming through the glass in the door of her children's room in her parents' apartment a moving, colour-changing image of light coming from the TV her father and mother are watching in their room: news bulletins and political talk shows broadcast by the official TV-channels in Belarus. The news and views shaped by the political situation in Belarus, Russia and Ukraine are a frequent subject of debate and discussion in the artist's family, as in many other Belarusian families.

In the second part of the video: the video was shot by the artist's father and sent to her in August 2020. A forest hare running in the light from car headlights on a country road. Fear, intimidation, surveillance, pursuit, inability to get out of the vicious circle, darkness, anxiety, uncertainty are characteristic states of time after the protest movement and violence by the authorities towards civilians in 2020 in Belarus until now.

Using the model of the family, in which the father is a dominant and authoritarian figure, the artist seeks to show on a universal level the structure of patriarchal society, which is associated with total control, suppression and violence.

In the third part of the video: the video was created from fragmented recordings that the artist found on her mobile phone, which was broken during the 2020 protests in Minsk.